The Evolution of the Board, part 7

Here we have an example of the technological excess that I rely on to make the noise I make. This is my Radio Underground/general rock pedalboard. Yes, it’s heavy and a pain to load in. Yes, it is worth it.

The signal path goes along as such:

guitar input -> Line 6 M5 with expression pedal for whammy and wah presets -> MXR Dynacomp -> Ernie Ball volume pedal – Korg Pitchblack tuner -> B.C. Rich programable swithcher (that swithches between my preamp and distortion/fuzz sounds: a DOD EQ, an early ’80s Ibanez TS9, a Sovtek Big Muff and an Electro Harmonix Tube Zipper) -> ART Tube preamp -> Electro Harmonix Freeze -> Line 6 M9 for delays/modulation/basic looping -> off to the amps!

Stone Disc

The vinyl pressing of Too Red For The Room is here and we are really happy with the way it sounds.

Not sure yet where it will be available for sale (and it is a limited edition) but I will let you know when I know.

 

Where Did Summer Go?

For that matter, where the hell did Fall go as well?

In the midst of an unplanned hiatus to deal with some family health issues but to recap:

Ghost Ghost did the Knitting Factory in Brooklyn and The Delancy (on the LES) as part of the CMJ Festival. Stone Document battled away at mixing and mastering the next record (Too Red For The Room). Radio Underground will probably do the LaVigne Family Christmas Spectacular with Zack at the Monkey House sometime during the holidays.

That about covers it. More soon (hopefully).

 

Oh, here’s a pick of Ghost Ghost onstage at the Knitting Factory:

Stone Document Returns to Middlebury

April 9th saw the return of Stone Document to the stage at Middlebury College’s Mahaney Center for the Arts.

Another intense night of music making that at times transcended the bundle of stress that was me at the time.

 

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