Diving Into the Archive…

Ancient Audio Artifacts.

DAT, ADAT, Minidisc, Cassette, VHS; I am surrounded. Using my free time to sift thru the archive of my work from the last 35 years. So many forgotten moments, sessions, whole projects even, lost in the hazy mist of memory.

Until now. Among the projects being (re)discovered:

  • Multitracks of John Tower Group, Regional Science Fair, Christensen/Watts/Chestnut/Tan, and various albums for others.
  • 2-track recordings of gigs dating back to ’92.
  • An absolute treasure trove of Fools and Fodder relics (board tapes, demos, rough mixes and 2 different shows on video bookending the life of the band.
  • Hours and hours of 4 and 8-track sketches, demos, failed attempts and experiments.

All of these will eventually be transferred to a DAW/drive for long term storage and who knows? Some of it might see the light of day in some form or another. Actually, the Regional Science Fair gigs might make their way onto the band’s Sound Cloud page in case there’s anybody who wants to relive that mayhem. More on that soon.

Where Did That Month Go?

One would think that suddenly having most social options and locations off the table would free up a lot of time for creativity. Many of my friends seem to be kicking productivity into overdrive. Me? Not so much. This is also with a reduced work load/week. I seem to be paralyzed by the expanse of options. So I am trying to move obstacles out of the way, organizing, cataloging, and prepping. Making space for when I can focus again. Sounds logical and simple; feels anything but. More soon, I hope.

Pedalboard

The current guitar board sit rep:

Honestly, more straightforward than it looks.

Every sound I will need or have been known for, for any situation or setting.

GTR -> EHX Freeze -> Digitech Ricochet -> switcher*-> Line6 M9 (for basic delays and modulation) -> Veretex Boost (with expression pedal – not pictured – for volume control) -> Boss DD-8 (for glitching and miscellaneous weirdness) -> TC Electronics Wiretap (for recording parts of interest) -> Pigtronix Infinity 2 (looper) -> dry out to amp 1 (usually Marshall 8020) / loop out to volume pedal 2 – not pictured – -> Akai Headrush -> amp 2, monitors or direct boxes for FOH

* switcher settings: 1. Clean direct, 2. TC Hypergravity compressor -> Veretex Steel String drive -> Walrus Audio Slo reverb, 3. Catalinbread SFT overdrive, 4. Catalinbread Galileo overdrive, 5. Paul Trobetta Tornita (Kitchen Sink) fuzz

… and the orange box is a countdown timer/clock

March 25

It was 10 years ago today. The completion of Guitar Craft, the birth of the Guitar Circle(s) and the eve of one of the most personally significant and effecting concerts I have ever played, the repercussions of which I am still feeling today.

This Should Prove Interesting…

Things are shutting down left and right. Schools, non-essential businesses and pretty much any public event or gathering space are now closed, thanks to COVID-19. That means (what few) gigs I had are now cancelled and I am officially a studio rat. Here’s hoping I can be productive.

Winooski Falls in Essex

While Radio Underground is on hiatus, in an effort to keep playing and not go bonkers, Arty and I have enlisted RU drummer Andrew Bedard and Bardela (R.I.P.) bassist Jeff Barrows to bring some of Arty’s newer songs to life. Originally conceived as a semi-autobiographical song cycle, Winooski Falls has also become the name of the band. The sound of the band can best be described as… well, it’s tough to describe. An Americana influenced singer/songwriter with an acoustic guitar accompanied by a jazz drummer, jam band bass player and a prog rock guitarist and sonic weirdo. You try and describe it.

We rolled out the new sound at the Double E in Essex to a crowded room that danced, cheered and sang along. We had our sound guy and human security blanket Bennett there so the sound was tight and the pressure low. A pretty good night. I hope we can get back there soon.