Stone Document Repercussions

The “revisiting old territory whilst looking forward” frenzy continued with a visit to Garnerville, NY and the Roundtable Brewery to play a gig with longtime co-conspirator Dennis Tirch and new friend Dominic Calabrese. Most acurately described as taking all of the elements of our current musical pursuits (prog+jam+gypsy+jazz+ambient) and approaching an evening of music incorporating them into a performance that used composed classics as springboards for improvisation.

It was the first time Dennis and I played together in front of an audience in about 14 years (although we have played together a lot in that time). Another fantastic weekend of musical exploration. Many discoveries were made regarding how I approach collaboration and my relationship to, and use of, certain instruments and equipment (more on that later). Dom is a great drummer and an attentive collaborator so he was the perfect for this. I am lobbying heavily to get this trio into the studio (with a little rehearsal and prep).

The Art of Sound

I was honored to be asked to make noise with some old friends as part of an electronic music concert that was organized with several classes happening during Winter Term here at Middlebury College. Each of my co-conspirators are people I would drop everything for, grab the Stick and stompboxes and head into the musical unknown.

Sandy Nordahl – computer, keyboard, iPhone
Peter Hamlin – Roli keyboard with computer and visualizations
Matthew Evan Taylor – woodwinds, Boss RC300 Loop Station
Mark Christensen – Chapman Stick and effects, looping
Jack Tipper – computer, synth and custom-designed sounds

Performed live at Middlebury College’s Robison Hall, January 15, 2023.

E #

If you looked at my bucket list, somewhere in the “Unrealistic Expectation” section, there is a short grouping of musicians I would love to play with. Among them is one Elliot Sharp. If that name is unfamiliar,take a few minutes now and Google him. I will wait.

Done? Good. Somehow the fates conspired move humanity in the direction to where my compadre Matthew Evan Taylor ends up teaching at the institution where my “day job” is and becomes an intermittent collaborator of mine in the Improvisatory Arts. He then brings his friend Elliott Sharp to teach a winter term class on improvisation/composition. Part of that course was the concluding concert where the class got to display some of the things they had learned. Part of that concert was a free improvisation by Elliott (clarinet), Matthew (saxophone), fellow musical adventurer Gahlord Dewald (upright bass) and yours truly (Stick and devices). Gahlord and I were invited as delegates from the local improvising music community.

Following that the class joined us on the stage with their instruments and Elliott lead the ensemble in a conducted improvisation. [from the interwebs: “Conducted improvisation is the act of providing a certain degree of instruction for improvisation to musicians in real time. Usually through various gestures.”]. Zappa did this a lot through the years and MY familiarity with approach came from him.

Both pieces were a blast to participate in and I thank E#, MET and the entire class of Composition Today for letting me tag along.